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Do my capstone project on big data

Do my capstone project on big data high level internet of things applications development using wireless sensor networks for money example of an essay grade 10 ´╗┐and therefore not in the least offer the kind of fulfillment and happiness they promised one at the st. consumerism is the only utopian goal that seems to be left at the moment the uncanny aspect of this irrationality becomes evident but what is so disturbing is that this kind of cultural criticism has in a certain form become part of the public discourse itself and is thus just as ideological as the claim that we actually live in a free liberated world this must be a problem of the critical discourse itself it assumes by its very language by the very gesture of knowledge and understanding of analytical power and detachment that the agent of this kind of criticism is beyond the sphere of errors and blindness that his specific insights are able him to pose himself outside of the system and its uniformity this kind of discourse participates in the power structures it claims to attack by its very language patterns and invulnerable invulnerability then what is critical in critical theory and why aesthetic theory the critical deeply anti systematical aspect of Adorno's philosophy which is just like heidegger's and Derrida's a constant battle with metaphysics implies that there is a primacy of experience of an OPAC somatic blind quality that exists before the philosophical thought before discursive language that that sets everything in motion something that is innovated in the sudden shudder in love in a momentary apparition of natural beauty in bliss and the epiphanies of art and lost at the same time when we try to identify it which infects any conceptual approach and at the same time calls for it but it suspends concepts if one remains true to it in the sense that each theory can be falsified by what it points at a doorless philosophy is absolutely historical it is both a reading of history and it locates itself at a specific moment in time and gives itself up to time to transiency any aspect of what it will discuss is part of the historical process and it offers itself to the critical work of history itself if the phenomenology phenomenology of society life art and nature which O'Donnell comes up with is not adequate anymore the tank code within this theory calls for a change thus it is critical in the sense that it is not only critical of the previous philosophy philosophical systems and of contemporary societies which also reflect where metaphysics turned into Terror but it is critical of itself of its logic and the tendency of any conceptual language for domination a concept becomes concept only through subsumption adonis philosophy is vulnerable it speaks of the wounds society inflicts upon the subjects it speaks of the wounds exploitative systems inflict upon nature it speaks of the wounds subjects inflict upon each other it speaks of the wounds humans inflict upon their own bodies and minds in the process of civilization to become modern functional enlightened beings in control of themselves it speaks of the wounds any kind of philosophical system inflicts upon phone topics and objects by the very language and terminology the force of identifying and meta things notions perceptions and the certain concepts and it speaks of the impossibility to take the easy way out in his understanding only philosophical reflection can achieve a break in what philosophical tradition and the form of metaphysics has created the Western form of conceptual systems that have shaped the global world pattern we call technology technological world and that has become utterly and unquestionably self-evident as much as there is no solution outside of the technological process that within it there is no escape outside of the present form of world construction poises that only within the dens web of metaphysics through what critical theory called second reflection only the analytic reflection of the concepts that set forth the kind of worldview our societies present is strong enough to question this worldview in the realm of thinking only conceptual discourse can question the violence of conceptual discourse any other language here becomes ideological in the sense that it either claims to be beyond the traces of metaphysics or to be able to open a different immediate access to the other the unmediated experience of what would be utterly different from what is given and suffocates us Adorno's aesthetic theory is aesthetic not only in regard to what it talks about and deals with natural and art beauty and the form and truth content of the artwork but also in its own form the editor of the correspondence between Theodor Adorno and alban berg henry donuts quotes a comment by Adorno from 1944 from one of his unpublished notebooks i don't know what will remain of what i have written and i don't have any control of this but there's one thing I feel I'm entitled to but I understand the language of music just as the heroes in the fairytales understand the language of the birds the anti-systemic impulse and everything Adama reflects upon links any seemingly marginal essay or comment to what one what one would call his major philosophical works like negative dialectics or aesthetic theory every single sentence Adama put down in the dialectical form of his style expresses his philosophical gesture to give with a description of the particulars the concrete detail a notion of its meaning for the whole and its place within the whole and at the same time to explain why the whole may also damage the particular prevent it from being itself his dialectical style speaks of the history of this relation of its necessity necessity and of the failure of reconciliation in the process of history this stylistic figure of Edano also creates the form the configuration of his great composed philosophical works the relation of the parts and chapters and the central idea they express and there's a quote from Adana about how he wrote aesthetic theory the book must so to speak be written and equally weighted para tactical parts that are arranged around a midpoint but they expressed through their constellation this points at what is esthetic in the form of aesthetic theory Adorno's sa ISM the anti-systemic philosophical impulse the practical style even of his major works stand for the idea of the non-identical what all his thinking aims at and what is lost in conventional metaphysical identifying discourse can be grasped only in an approach like this in an essay istic fragmented texts through the destruction of the cage of philosophical tradition and everyday ideology ideology as well the non-identical is what it is all about and what cannot be said at the same time it is the OPAC hermetic dark center around which the constellation of adonis concepts circles in which only three forms of experience can come close to where the non-identical is the very essence of these forms of experience european conference on artificial intelligence 2018 Jewish Theological Seminary of America.

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