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Write for me research on multiple intelligences pdf write for me what is capstone mba new mexico report good evening and welcome to the cloth studio upstairs I'm Sarah Moore peach so this is an in conversation event with one of the greatest lyric tenors of our age Joseph Kalia he's here at Kauffman Garden at the moment in the title role of Faust and actually just last night he was given an award at the Grosvenor House Hotel in London the international opera Awards presented him with Readers Choice Award so it is a huge pleasure to welcome Joseph Kalia so welcome and thank you so much for giving up your time for this it is a busy schedule thank you for having me tell us about Faust and what attracts you to that role first of all Faust is an amazing role it's an amazing and beautiful opera and I know it's cliche to say that but it's true it's a bit like Carmen in the sense that it's one operatic hit after another and it's in a glorious house which is the Royal Opera House in a glorious production of they've made wicker with quiet and amazing cast I have to say it's it's definitely this run it's like having a Schumacher art and Senna on the same on the same theme for for for Ferrari or Benetton or whatever and there's no one in discuss was not a star that's one of the things that's particularly challenging about it is that you have to start off as an old man and then work your way backwards as it were how do you how do you kind of cope with that dramatically yesterday something happened something funny happened during the performance I I was doing deadlifts the day before in the gym and I overdid it a little bit and I enter on the stage like this and with it with a steak and I'm singing and I'm and then when I had to stand straight something something in my back set and all of a sudden I was just waiting for a moment when I invoke Satan it's either I'm gonna make it or it's gonna be the end of my performance because I was literally really worried it was something like spasm there but thank God it was just a moment momentary paralyzes or what you want but Faust is very challenging and in fact the fantastic buna Ravello who revived this Faust he was having his his first time use French - Joseph you have to be more basic here huh Kuta you have to be more olden you have to be bent and I said yes but they also have to sing so so we spent because it's true you're supposed to sound older rougher and I do try to some like that but there's a balance because then I have to sing salut demeure chaste a builder a couple of minutes later and and you cannot sound old tired and rough there I want to go back to the very beginning and when you started singing I mean you started off in a church quiet but what what sparked your interest at what point did you think oh look I could I could sing my my mum says and and that I started singing before I could even talk and there are old Minolta tapes that unfortunately prove this I used to read nursery rhymes of course and and anything that I could listen I had very good ear to mimic and mimicry imitating is the best asset a singer can have when I heard the prelude I was hooked I said so beautiful then I but I was so eager I sang bors's lines by mistake I sang good with them and of course you never spoke to me ever again till this day you sang my lines in the in the opera and I was hooked I I dared not dream that I had a world-class voice but then I went I found Paul Asha my my teacher and he was a huge huge till this day my my teacher pilâtre and when I went with Nessun Dorma dick will appear a light stuff by then I was 15 and the palliative Estella Trueba all the big chestnuts and and when he saw this music he sort of went like oh god not another one and then I started singing it and he did he has big glasses at least back then I think still has them and he went like this he was startled so I thought immediately I'm I do very bad or a mind are very good because that was a very spontaneous strong reaction and that is only provoked by extremities if it was if his well and let's see as well and then he called my father he didn't tell me he called my father two months after where he accepted me to work with him and he called my father he told him your your your son has a world-class voice it these works work of course but he has the potential of becoming a worthless dinner and my father was like can you repeat that I thought was gonna continue with my with the family business and but you must have known it you had a world-class voice no of course not really no not me no I'm I'm in middle of nowhere and Martha 300,000 people 20 21 miles north to south 16 was to eat that sense of perspective and also your sense of humor does that help with the kind of fame and celebrity I suppose of that life particularly as you say in this day and age where everything is immediately on YouTube and your kind of public property yeah I mean I'm not breath bit unfortunately so it's not that so it's not it's not that bad no I mean it's nice to be recognized it's nice to get recognition but it's not why I do it and my bringing my sense of humor the ability to laugh at yourself that is the most important thing I think for psychological health is the ability to laugh at yourself and my trick that my teacher taught me Paul he said when you have a performance the day before the days before don't drink don't smoke I don't smoke anyway just some cigars sometimes but very very seldom don't talk a lot don't go out basically do nothing and and he said then your conscience is clear for the performance so when you approach the stage when you approach the and face the audience your psychological well-being okay I did everything for this performance to go right if anything goes wrong then it's not my fault you mentioned the 30 roles that you have under your belt which is quite extraordinary oh all of them which one do you feel personally closest to Bowen Bowen because I'm still in that age frame it's just wonderful I just wish to be in the in a fourth act that it would get a job and save me me get a job stop means you know you're not gonna become a poet look at your poems they suck you know me mister stop regardless of where your voice goes is there a particular role whose music you've just loved and would love to get a chance to sing it's cliched but it's or Telo are singing in my family bathroom if nobody will have me when I'm 55 or 16 I have two single tell oh it's just dramatically and I think that there will have in long distance future I will have probably enough voice to do worse practical job of it it is a benchmark of a tenor isn't it I mean even someone like luciano pavarotti who I think left it too late in his career money when he done it he wanted to do it because he knew that a tenor is sort of judged also by whether he makes good hotel or not and his recording was actually pretty impressive but that Israel whether whether my voice will make sure enough to do it will see you know if you perform a new family bathroom you can sell tickets and they'll be queuing off the edge of the island that's all we've got time for it's just been such a pleasure to declare thank you so much you a lot of those phrases we were doing now the most beautiful is the most simple it's the most natural the most simple the most human but of course that example of technical background in capstone project cheap Cazenovia College, Cazenovia.