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Write for me capstone project rutgers online

Write for me capstone project rutgers online write for me ap capstone diploma requirements sparknotes an essay on man I went to India, I had the opportunity to go to North India, to The Himalayas I wanted to retire for a while, so I went to a little town and I was curious to know how pretty it was and suddenly I noticed that I had about 60 people behind me they were walking, they've probably never seen a black man in those places My name is Santos Arzú Quioto, 49 years old, proudly Honduran Well, its kind of difficult to talk about my first piece of art my first exhibition was in 1982, I was graduating from high school back then it was in the National Library, that the artist Rendón, Cesar Rendón, suggested me to show my work there but I also was in charge of organizing the artistic and cultural events back in El San Miguel when I was a student. So practically I just graduated and made my own exhibition. (Carolina Carías: Director of Carolina Carías Art Studio) Well, in first place, his work its always evolving, it's dominated by a skilled quality, every time that Santos launches a project, he makes a research, makes a background with a purpose, with a mystic work and with a commitment with himself overall. (América Mejía: Director of MUA) Since the MUA appeared, he has been an artist or a person that supports MUA with his vision of having his projects on exhibition, but Arzú is also an artist that's connected to a cultural circle and to a cultural environment, so every organization, every group with every artist has a relation which makes him one of the few artists that makes those things, he relates with his environment. (Armando Lara, Honduran painter) In my memory, theres this project of his called "Templo en Ruinas" which I think it's still marking in his work a type of script, as if he's growing up thru time with his concept. I liked that work a lot, it was an innovative piece in our environment and innovative within his own work at the same time, which defines his personality as an artist. I consider myself a very calm person, I avoid getting into trouble I reserve myself mostly to work, normally with my painter colleagues, I keep a cordial relation I have a few friends but I'm very tolerant and that's thanks to my family which taught me to respect my fellows. "All of the objects that integrate in your work, recalls the human existence as if they were an altarpiece in which the spectator introduces himself to confront the deepest emotions." -Ernesto Argueta Back then, I was in Spain because I was going to show, well I showed in the Granada University and later on, I had another exhibitions somewhere else in Europe, in Rome exactly but then I received a call that my dad had....he was sick, he had a stroke nonetheless I got back in time to visit him in the hospital, 2 days later he passed away, on December 19th. Actually, his birthday was on March 19th which is the day that I launch the exhibition. (Bonnie de García, President of MUA) Well, Arzú is Arzú, he's very charismatic, he actually has a lot of people who follows him all of his students are fans of him, he is the kind of person that everyone loves and respects. To me, he is a gentleman, he is...well...he's always so impartial, he's a person always in his place, very down to earth. When we began to frequent art exhibitions, thats how we met each other. I saw some of his work before and he saw some of my work as well and we started conversing and little by little we began to get along, a friendship among artists and we started conversing and little by little we began to get along, a friendship among artists and we started conversing and little by little we began to get along, a friendship among artists we shared inquisitivenesses, ideas and the joy of dedicating our lives to art. When I started making portraits, people loved it, I even sold them very good. Then, when I wanted to paint applying a different technique, more abstract and leaving behind the human figure that was it, it was in Portales Gallery when the change was made in my work. It was there when the audience reacted some people said that I was evolving for good and some other said that I was going backwards, it was like a moment of crisis but at the end I said that I didn't care. He's a terrific human being, he's extremely cultured, spiritual, complete I must say because he does not only make art but the way he delivers it thru teaching he adds to it a very special value to what he is as a human being and as an artist every time he spends time with others, he shares part of his time, the way he does it is disciplined and basically in a methodic way, he gives others the standards to know with what type of person we're sharing. He's an artist that always brings something new, different and how he has evolved in an artistic way I remember when we began this work relation in Portales Gallery, he began with drawings. He's an excellent drawer, maybe someone that looks at his recent work may not believe that he is a magnificent drawer he draws with fountain pen, very, very...excellent drawer. Looking in first place the dimensions of his work, that magnitude of that source, having the privilege of observing this new evolving stage We got in, we saw them, enjoyed them and suddenly he said "step on them, you can step on them" I truly couldn't resist and then I saw him stepping on his work, everyone stepping on there, for me, it was... I even took my shoes off, I stepped on his work, it really feels very special, definitely. (Launch of "La Alfombra" by Santos Arzú Quioto) This project without a doubt honors the tradition of the allegorical carpets we all know that they are an obligation in Holy Week, even tho I'm not pretending it to be a religious work on the other hand, I'm trying to rescue the collective element, that practically links with what we're watching with Sandra Herrera in the utopia, the honduran population isn't dreaming, so the possibility of the honduran working collectively makes me think that it's what I want to rescue in this process "La Alfombra" as an artistic project, demands aspects and even tho I skipped the religious elements you'll realize that the distribution the colors, the element designs in which this project was enriched including the time in which it's displayed here in the museum the same environment in different scenes, they are going to capture the spectator's attention without a doubt to certain emotive carpets. In the other salon, which is called "The Dreamcatcher Salon", there will be a critic, let's say a painting of wide proportions which is called "La Caída de Ícaro", the feathers prevail because of their size, the chromatic dramaand lighting. The paintings and lateral elements or centrifuges in that salon even tho it has its own power everything will spin around Sandra Herrera's and her performance tonight. The figure of the dreamcatcher its very important in this room, it's a filter between the good and the bad and better yet, like Hondurans, we should look for the good to fulfill and spread it everyday, in the ordinary and common life and for that reason, have the ability that the bad should not disturb us or distort us as a country so that reality succumbs the bad, specially here in Honduras, were there are a lot of nightmares and ghosts that we have to confront. Thank you very much and welcome! capstone cottages office for money New York Film Academy, Battery Park, Manhattan.

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