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Write for me capstone college of nursing tuition order capstone projects bsn for money python find first word in string crystal reports hello I'm George Steele the general manager and artistic director of New York City Opera and i invite you to subscribe to our wonderful 2010-2011 season which features some extraordinary new music some innovative takes on traditional repertoire and an amazing roster of distinguished and emerging artists the season includes three brand new productions as well as incredibly the New York premieres of four operas by New York City composers I'm very pleased to announce that this season we're adding in addition to our opera productions a concert series starring the wonderful Orchestra of the New York City Opera and a lineup of stars christine brewer Kristin Chenoweth Raul Esparza Laurie Anderson Lou Reed and john zorn it should be an amazing series last season I'm very pleased to say many of our productions played to sold-out houses so subscribing now is the only way to guarantee you'll have a seat at these not-to-be-missed performances I'm very proud and pleased to tell you that we are opening our season with the new york city premiere of an opera by America's greatest composer for the theater Leonard Bernstein a piece is called a quiet place it's a sequel to his the 1950s opera treble into ed in fact trouble-dee idiots folded into it as flashbacks but the later worked from 1984 is incredibly moving it's a portrait of an American family the whole opera begins with this car crash which is really it's like this horrible event and then we see this very dysfunctional family come together Bernstein of course is a composer that lived in in a very unique straddling of musical worlds so in his classical composition style you get a very unique fusion of traditional classical music of Broadway of jazz 20th century modernist music in a quiet place lights all of those strands but the text of it is very much the way that people really speak and the way that people really think which if you think about it is kind of unusual there's lots of Em's and likes and ann's and starting and stopping and it's sort of as if David Mamet would write an offer with Bernstein's a quiet place you have an American opera that hasn't been heard in New York ever and that hasn't been produced in over 20 years and to lead us all through it Christopher Alden who directed Don Giovanni so movingly for his last season is returning with this glorious production it's a great way to open the season it's hard to imagine that a composer as famous as ricard Strauss has a wonderful opera hiding in plain sight but it's true at the case of intermezzo a marvelous piece of his that seldom seen in New York City we gave the last performance of it and we're thrilled to bring it back to the stage a lot of stresses operas are about big topics cosmic topics intermezzo is a very domestic comedy Strauss decided to write the libretto himself about himself and his wife to put it in the most kind tactful way let's say she was formidable most of Strauss's friends I would know so far as to say feared her we're very excited that Mary Dunlevy is going to be taking on this role for the first time with our company she has the perfect combination of comic timing dramatic sense and a beautiful voice city opera's production really made a case for this particular piece and we're really excited to bring it back to glorious music and a glory and the greatly on major is directing it should be a terrific evening two of the things for which New York City Opera is most famous need up in our production of jonat city's elixir of love that is casting of extraordinary rising stars and innovative takes on traditional repertoire well on the Rising Stars department you can't ask for better than Stefania Devon ukrainian-american soprano she made her debut last season as Donna Anna in Don Giovanni and she's joined by David lomeli a fantastic young tenant one of the most exciting voices on the scene people talk about how who he auditioned for us and we hired him on the spot and in this situation it is true the audition for us and we hired him on the spot and the production itself is a hilarious of Jonathan Miller take on doughnuts Eddie's old snake oil salesman story it's set in the American Southwest in the 50s in a diner it's just a very tongue-in-cheek irreverent and american way of viewing the Opera we suffer through the travails of Nemorino and Adina as they sort of fight their way towards their eventual getting together in a way they're speaking two different languages it's a very men are from Mars Women women are having this kind of thing for over 60 years new york city opera has been pointing the way to the future and we have a project this coming season which does just that a triple bill of mono dramas in one evening three Sopranos singing three solo shows by three different composers these are three great diva Shana's the prima donna at the footlights just seeing her heart out the first is john zorn's small operates about 12 minutes called lat machine de let's John is one of New York's and America's great composers a very theatrical Lyon said incredibly virtuosic release for soprano and a big Orchestra and it's going to make its stage debut in this extraordinary production it features a wide range of unusual percussion instruments some not initially intended to be used as instruments and this sort of tour de force performance by the soprano a minefield of coloratura it's the kind of thing it makes handle in bel canto look like kid stuff that's followed by schoenberg's great monologue averting our expectation it's an incredibly beautiful piece maybe Schoenberg's most beautiful and pre serial it's in the freely atonal period that included some of his most moving music the libretto incredibly is by woman called Mary poppin I'm the sister of Freud's most famous patient Anna Oh of the original so-called hysteric as of the pieces infused with the real expressionist and Freudian intensity rounding out this remarkable triptych is the only opera by Morton Feldman with a libretto by samuel beckett also his only opera libretto an amazing piece called neither its in its New York stage premiere it was given once and concert many years ago but this will be the first time this masterpiece of a New York City composer is seen on stage one of the things that was really important to us when we were casting these opposites that they'd be sung beautifully that someone could just hit the notes but they'd be sung really musically intelligently and with the beautiful voice and in kara che Thompson and Cynthia Seaton taking two of the lead roles we have that people that's one of the reasons why people flock to opera houses over the centuries to see those moments to see divas walking that dramatic and musical tightrope I think that it's going to be a very convincing evening for people who think that they don't like music we finish our 2010-2011 season with a special project starring our own Lauren Flanagan in fact the piece was written for her and not by anyone but by one of America's great men of the theater stephen schwartz stephen has written such shows as wicked on Broadway now Godspell at pippin and the first time he's turned his hand to opera and this'll be the first time it's seen onstage in New York City in fact the second production ever stephen schwartz's immediate connection with opera is all about his ability to create through his music this great operatic theatricality the story is a real thriller it's real pot boiler it's like going to an old 1940s movie a fame-hungry mystic hatches an ill-conceived plan to kidnap a girl to events a career it's a wonderful piece and a great conclusion to our glorious season of American operas write for me research topics in dental public health SUNY State-wide Colleges.