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Researchable topics in biology education order do my research topics in business management course pptc devices seminar report on smart hi my name is mark from jazz guitar lessons dotnet and you're watching pat metheny and gold pat metheny is one of my favorite jazz guitarists we can hear in a certain way that he's next in line the tradition of West Montgomery and other mainstream jazz outfits that fizzled into other grooves in the late 60s such as Miles Davis Metheny is a case in point so to speak in so many areas of his musical career that it was difficult to know where to start making this video nevertheless I present to you here Pat Metheny untold a short video where we'll put the chords hip positions and licks aside to reflect on the bigger impacts what can we learn from Pat Metheny really so let's get going jazz is an oral and oral art form since the beginning of the 20th century has been passed on through a word-of-mouth hey how did that let go again you know can you play this back to me more slowly etc so hence the next generation picked up everything by ear usually and it continues to this day to a certain extent if there is only one skill you should model on to Pat Metheny I believe it should be this one listening as he said himself listening is the key to all things good in music interestingly enough Matina learned to play the guitar mostly by imitating recordings of wes montgomery noticeably the smoking at a half note album which is great by the way with the Wynton Kelly trio so he realized for Verner the age and it was crucial for him to memorize his favorite Wes albums you know or at least have them imprinted in his musical mind yep he was 14 at that time so not so surprisingly is by listening to jazz that our man became hooked and not because of the chords were hip or anything else you know his brother brought home a copy of Miles Davis for and more live recording and it was the beginning of his musical career so from a learning perspective please understand that all that jazz is only in your mind at first it is within your musical ears and a musical output we create is only an approximation of all that beautiful music we dream of thus from the thinnies perspective music is not about the technicalities or virtual virtuosity it's about listening pat metheny z' music generally has a narrative quality sometimes it even feels as if it's a soundtrack for a movie that doesn't even exist what is there to learn in this case developing on your ideas you see as jazz players were often caught up in scale scores progressions and licks while nutini's music is a rather based on developing smaller musical ideas for longer periods of time so in summary it's not the amount of information within the music that matters but rather how that information is treated with a little creativity in a lot of patience we can take small fragments and make interesting works of art and think about it when you catch yourself mid solo next time you know when you're going up or down that same scale again there's always more meaningful things to do with a little fragment of the scale moving up or down perhaps especially if it's congruent congruence are with everything that comes before and after within your solo so that's seeing music like architecture like Pat doesn't even with his big es-335 or Iban SPM model hollow body guitars me teeny is not a jazz purist that's for sure the most hardcore of mainstream dancers often throw rocks at him for being too fusion or too commercial I like how Pat refutes this argument by saying our songs last 7 minutes on average if we wanted to do it for commercial reasons that would be the first thing we would change right but I'm paraphrasing here anyways I believe we can all model or thoughts alone how Pat sees this we can never recreate an era and listening to a live band in 2015 attempting to play like Charlie Parker did in the 50s it only has a square thing more from the original thing and that's the beauty in jazz in that it recreates itself all the time in order to remain to remain genuine so what's the lesson here well don't try to play like it's 1959 and try to find your own voice that's what jazz is in essence all great jazz artists possess a completely distinguishable sonic signature right it's a good thing to understand harmony the history and the players and the songs in the tradition and to respect the tradition but your voice should prevail in the end Metheny has thickened his career to a different level when he started to write his own compositions for his first album which you might already know and he was still in his teens but he realized that playing on standards was not enough to carry the musical ideas he wanted to put out in the world and that's what we can call moving on from traditions all right one for the road I understand that this fits this would fall under rather the umbrella of general advice but I believe it's worth the last minute of this video Pat Metheny is extremely grateful for applying this music every night which is something I believe we all aspire to every concert he thinks to himself this could be it that could be the last thing and as he's playing the tunes and that's what he said when he was interviewed so this demonstrates a deep love of the music and not necessarily a search for excellence for selfish reasons right in fact Matheny as often says on the on the album all the albums of fame the concerts and the crowds are just a byproduct of his musical explorations according to him you would have done the same stuck on a desert island so it's food for thoughts right and one last note on attitude and lifestyle Pat Metheny is often labeled by his fellow musicians including some legendary players like a man with a focus that it that is out of the ordinary right our man is well-spoken direct and possesses incredible work ethics making music is not enough he has to produce it in an industrial and fash industrious fashion sorry to get it out into the world so alright that's enough said for now thank you my name is Mark from jazz guitar lessons not met and this has been Pat batini untold all right just a little add add on to this video that is not scripted that is not really ready I just wanted to share with you personally I had a student at some point in Montreal came for private lessons and one of his friends had worked on the orchestra on film production so Orchestrion is this Pat Metheny album where Pat plays with robots basically they're all machines playing different instruments and he programmed everything and it's it's interesting to hear at least it's like it's like a piano roll but version like 2005 or 2010 so anyways the camera guy my friends my student the friend man my students friend that worked on the camera crew said that path would show up start playing the tunes that it would start shooting everything will be ready and would play for like 6 hours straight and then go to lunch and eat like a quick like 15-20 minutes and come back and shoot more and then that's it so you'd expect a camera guy to go and talk hey Pat I really like out of no time for this there was no way that he could go out of focus so you imagine shooting a whole album in like one day and several takes that's the kind of focus Matheny brings to his music it's not just you know rehearsals and slacking off and writing tunes and practicing kind of it's always done with an incredible sense of purpose and focus so I think we can all learn something from this it's not part of this untold series but it's something that struck me as being yeah that's Pat and that's one of the reasons why he had so much success and he changed the face of the music in his lifetime alright so for real now I'm mark from jazz guitar lessons not bad I'll see you next time write for me previous paper intelligence bureau exam Christie's Education.

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