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Qualitative research topics in information technology do my coursera capstone data science quiz 1 bill clinton presidency essay Los Angeles was once known as the mural capital of the world you see them everywhere all kinds even where you least expect them the artists are local and international the roots of la murals runs back to nineteen thirty-two with a controversial America tropical on Olvera Street it was painted by the famous Mexican muralist david alfaro siqueiros but it only lasted for six years it was deemed too radical and was whitewashed it all fits into a unfortunate legacy in the city of La where murals get thrown away you know on the regular basis the latest example this mural in downtown's gallery row it was commissioned by the popular band Foster the People it took 10 days and more than 50 thousand dollars to create what most people considered a beautiful piece of art but several months later it was whitewashed why well first you have to know that the city of Los Angeles has a new mural ordinance there are two key provisions number one all murals must be permanent and second no advertising meaning no company logos or commercial messages who gets to decide when a mural is art or advertising I will give you the definition a mural speaks about the history of the community assign sells a product it's very very easy very clear shortly after the mural was finished the band released his new album lo and behold the album cover and the mural were the same and some consider that an advertisement then mayor eric garcetti stepped in and said the mural could stay but it didn't stop there when the city found out that the Santa Fe lost is a designated historic building even mayor Garcetti couldn't save it Daniel Lakota is a mural activist so what happened with the the Foster the People mural why did that get taken down before the people mural was ultimately removed because of concerns of the Historic Preservation Commission and the fact that the building that the mural was on the Santa Fe lofts building was a historic landmark the mural lasted about six months but it showed just how messy the mural process can get another controversy swirled around this mural it's called urban Bigfoot by artists Ron English look carefully Bigfoot is wearing sneakers specifically converse sneakers city officials said that makes this work of art an ad daniela Hoda disagrees there was no logo on it there was no call to action converse wasn't a sponsor of that mural Congress didn't pay for it why is why is everybody writing that they are because the Bigfoot was wearing converse sneakers or what looked to be converse sneakers but that's not what actually squashed Bigfoot the city says the problem was in the paperwork that the application process wasn't completed the sneaker controversy didn't help an indie an urban Bigfoot got shot down so how did all these rules regulations and procedures come to be in a city that's supposed to be mural friendly the problem started in the late 90s advertisers started putting up big signs on villains to push products they called them murals not signs and things were getting out of hand so in 2002 the city crackdown they banned all murals until new rules could be hammered out man 1 is an artist who was hamstrung by the pan what happened to all the murals but basically in 2002 you know there was a mural moratorium that began because of all these advertising companies that were putting so-called murals up on the walls and it really messed up the whole game for us you know because it became illegal to do a mural there was no way for us to ensure that it would stay up despite the ban on new murals Los Angeles artists had never stopped looking for ways to express themselves the rules changed last year with the new mural ordinance how did all these murals get here Isabel Rojas Williams restores and preserves murals she also helped shape the numeral ordinance the way that the mirrors helps actus is by protecting the murals for future generations the city has like a database of the murals that exist in our city and if anything happens they're legalities that the artist can claim about protecting their murals man one is willing to navigate the bureaucracy for the sake of his art he's learned the hard way murals that I've created that I loved over the years have been taken down by the city or by other entities and I've had no no recourse to like you know get him back up you know and so getting a permit is really is really a big deal for me one of his latest murals is this one called elephant all most of the time artists pay for their own mirrors but this one was commissioned by Red Bull though you wouldn't know it by seeing it where's the line then if you're getting funding from private sources and/or corporate sponsorship the way I look at it is you know there's corporate companies who are supporting and sponsoring art they're not requiring logos or they're not doing it for a campaign necessarily or anything like that they're really doing it as a way to you know kind of like get their name out there in the subculture there may be bureaucracy and some bumps along the way but most artists and neural activists prefer having an ordinance to having no regulation at all in order to keep a legacy it's important that these meals are registered the best thing about it is that once I had a piece of paper and my murals complete you know no one can they mess with it and take it down so for me it makes it worth the effort despite the complicated process the city has received more applications than it can handle city council member jose huizar spearheaded the mirror ordinance murals are still going up and i say that's okay you know if you're going to put up a mural and you didn't go through the process let's help you get through that process and permit it so that we have some type of regulations that people are playing by rules and we just have chaos like we had in the past it's for the thousands of murals that existed before the ordinance they're all allowed to stay when mocha hell their exhibit art in the streets famous artists from all over traveled here and turn this city into their canvas these murals are now grandfathered in so it seems Los Angeles could be on its way to reclaiming the title mural capital of the world murals are talking about the stories that are part of the community in a visual way transferring of the histories from the bus to our use it's like a dialogue between the artists in the community and it's exactly when I grow up in Boyle Heights I love the murals are so many roads around me they Tommy history they taught me about people that weren't being talked to me in the class like Che Guevara and Pancho Villa and Emiliano Zapata cesar chavez figures to me that you know made a difference in my life but we're being taught to me in school and i'm sure it's doing it for thousands of not millions of other people as they see the murals in LA so we need more of it and that's why it was so important to get a mere ordinance and allow artists to see a blank wall and let them do the trade and and do what they good at and that famous see kettles mural that was painted over back in the 30s it has since been restored and enhanced by an interpretive center that tells a story of a once whitewashed work of art I'm Nick Chuck in for socal connected capstone logistics freedom pa The New School, Lower Manhattan.