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Internet of things cisco certification

Internet of things cisco certification do my capstone motor company gillingham fernanda grael reporter amharic news ´╗┐and our BBC Radio 4 the Bardis offered it's over 30 years since the Mancunian punk poet John Cooper Clarke released his first spoken word record during a career which has seen him graduate from a suffered slum school to one of the most groundbreaking music scenes in the world John Cooper Clarke has worked with and influenced some of the biggest names in popular music Paul Morey now looks back at the career of the elusive yet legendary northern wordsmith in the bodice offered suited booted paranoid punk poet Salford surrealist New Wave George Formby rock'n'roll betcha man a Coronation Street Jack Kerouac a bebop Albert Tatlock a Lancastrian bored lair Manchester modernist Joycean delinquents chali junkie wired clown pun slinging outlaw dandy highway 61 Bob Dylan as a northern Club comedian an LS Lowry stickman in dark shades on the run from the everyday here's Johnny John Cooper Clarke the man Frank Zappa said had exquisite diction the man who put the speed the north the freakish the nerve the smoke the polished Chelsea boot into poetry they watched this new cuts ornaments and then he acts tease mom with a polka work on a man declaring slow sweet slum no mean feat the 27 year old John turned up in 1976 Manchester as a punk poet in tight mod clothes and sunglasses with a ton of colorful words about bleak farcical northern life to incendiary visits by London Punk pioneers The Sex Pistols in the summer of 76 had an enormous impact on a tired sooty City disconnected from his own radical history battered by the war and seemingly in permanent post industrial decline we talked to John outside the venue where the Sex Pistols played well outside the Radisson Edwardian hotel John and of course there is this was the free-trade whole stroke lesser free trade Oh a lot of buildings in Manchester seems has just disappeared that's right well this one hasn't disappeared in a bill that as a building but its function has changed this said this played host to all the major concerts in the open till the eighties really I think didn't it yeah Bob Dylan Van Morrison people are we David lowing hey Floyd the two concerts from the baddest x-15 in 1976 the noise attitude and black humor of the pistols inspired bored anxious young local musicians to form their own groups and make music that sounded like it was from Manchester not London or Los Angeles or the Dark Side of the Moon when John popped up at local punctures rapidly reading bitter berserk poems that instantly fitted in with what was going on he seemed to have come from nowhere John could we go back to the very beginning I'm very interested in in your first sightings if you like of poetry and what has they got you interested in poetry in the very beginning school I guess it was a Salford slum school you know we have to go or another school I knew would work put it this way we had our own coroner and we would we would have to write essays with titles like what I want to be if I grow up but even given that nobody left that place on able to read your like a dose of scabies I've got you under my skin before Punk gave Jones Act just the right audience and setting he found other places where it didn't seem odd for an eccentrically clad outsider to read poems with a combative tone that crackled with vernacular width sat in a sulphate pub near where John would have performed cultural historian Salford University CP Lee remember spotting John looking a little suspiciously well before Punk took hold I would first seen John in folk clubs and made late 1960s the folk club back in those days was a meeting place where you would get poets you would get storytellers rock answers as well as musicians they provided a platform that was denied to them in the beat club environment where you had to play an instrument than being abandoned and make music face specious we tried awful and I was yeah was one of that five million fish little room lobbies I'd read the the reviewing the NME of their st. mark in College gig where they assaulted the audience and all and there was a picture of Johnny boy I thought it was you know I thought he was Johnny ray the other city is very similar-looking in a way you know it was Johnny anyway who's Johnny Rotten I thought well what a face you know look like Johnny rain having an argument with somebody Punk shoved John and old cobble smoke staying matches to into the future the Sex Pistols shows were organized by Howard de voto a brainy fan of Iggy Pop and Dostoyevsky who formed the Buzzcocks almost all the audience would go on to form their own groups such as the fall Joy Division magazine and The Smiths groups with their own volatile northern way with words John one nervy thin man and his explosive cluttered imagination would be their deviant warm-up man Pete Shelley guitarist with the Buzzcocks as Manchester who said this this thread of light poets and black comedians have been doing things you know I felt bad but more folky bands yes but he then made that because he made that transition out of out of that which would be since this natural thing interest in to gain a whole new audience so it wasn't that all the old jazz of smoking pipes who's doing it it was you know kids John an unorthodox revolutionary so a connection he relished between punk and surrealism punk was a way for individuals with new experimental ideas about music art politics and entertainment to be seen and heard and create busy enterprising new communities DJ and filmmaker Don Letts was a key part of the London scene and he was there to see John Cooper Clarke perform with groups such as The Clash Siouxsie and the Banshees and the pistols themselves the poke attitude wasn't about Mohawks and safety pins it was about exactly that the attitude so you could have these really interesting light lineups that included John Cooper Clarke a reggae act like Steel Pulse and the slips and like I said myself DJ gig could be like a dad a variety show because the point was to break away from the ordinary and the routine and this was both in the spirit of anarchy and also in the spirit of the musical CP Lee again Richard Boone who was manager of muskox had a great idea which was to reform what we call package shows and those package shows were very very popular in the early late 50s and early 1960s where you get like eight acts on the bill and they'd have 15 minutes each and they play at your local cinema those audiences in 1977 were eager for less less be blatant new products that was why John shared a platform with biscotti it gave me three warming stamps on midsole stuck his fingers in mayonnaise took me in the nose wrap it once made me eyes explode from underneath me fell down in the road the manchester music scene was taking shape Cooper Clark's mordant observations worked whether he was supporting the pop punk Buzzcocks the explosively dramatic Joy Division Oh even the insolent skeptical the special relationship with the Falls Marquis Smith has continued on and off since the late 70s hours that's herself personally they would drop her on the office the guy was really for they was only ringing girls up on the phone and he told it up you wanna watch that Mike you don't man so I did his phone calls coming from America about bills he's really not like the gills from picking those records and writing to him saying things like you know you don't want to listen to the phone this is a metallic terms don't know I know you know something very weird girl on their mark that office building I mean Cooper Clarke is warm up the man had its advantages he just turn up smartly dressed for action ready for battle with his trusty exercise book of poems and do his turn Pete Shelly often shared a bill with John know the whole thing with that punking scissors like humor in it the stage of space do my capstone college olongapo College of New Rochelle (School of New Resources).

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