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Do my capstone llc washington dc you are my rock capstone lyrics for money reportagem globo reporter espiritismo [Music] okay hi guys Darren at supernova comic-con and gaming in Perth this is our final interview for the weekend and we're with the wonderful Kathleen Turner how are you very well thank you thank you very much for taking the time to have a quick chat with this I know the the conventions wrapping up Yankees yeah so you'll be obviously going home soon well yeah I'll be going home to New York where I live and obviously you're st. Sydney you've experienced Sydney what did you say to me well we were sleeping I got to stop off in Wellington in New Zealand because my brother my younger brother lives there yeah so I had a few days with him and his family that was nice I thought the city was pretty filling it just happened that it was the same time as the vivid yep all the lights on the building that night that was so extraordinary and and so we had these lovely days of the night of the lights and then it started to rain yeah so that kind of knocked out everything else but Perth is made up for it well yeah we are very quiet City no I mean the weather the way that Woking funny I've nothing but Sun and yeah glory last year was raining me before was raining so you've come back I don't accept that no now you've had an incredible career you've done everything from stage film voice acting which one makes you feel their comfort in writing on yeah which makes you feel more comfortable ah my love is Steve stage is theater yeah absolutely so what is it about stage that sets it above the rest well in one because it's so it me because I am there's no barrier between the audience and myself there's no editor choosing what aspect of my performance he wants to be presented there is no director who can't say cut no ideas once I'm out there it's all my choices and it's and it's working immediately and subliminally with I'm working directly with people and angry subliminally on both day and or the audience and the artist know that what happens tonight is unique then it will never happen quite this way again you know no matter what the performance you don't change the lines you don't change any of that but it is it is thrilling yeah that's one of Ransome thank you now obviously when you receive a a script or a pitch for a project what do you look for what do you want to say well is the bottom line there there's one solid line not to be crossed and that is if you take the the woman character out of the story does the story change in other words if the female character does not affect the story create significant change then you don't need me yeah yeah yeah then just go get a prop or you like some incredibly strong female roles not observable oh did you definitely have and that's one of the reasons why I really wanted to make you this weekend release your body of work yes and they do say the word whole Hollywood royalty I know you're not from Hollywood but you're royalty in the industry so sitting here talking to you right now because you've worked with some incredible people known zemeckis John Hewson when the last great film that he made yeah what what's the most memorable collaboration that you've had cuz you're away yeah um you know the three films I did with Michael Douglas and Danny DeVito because it was always the three of us had a very special feel to it because we were we were like a club and a gang I don't work but I have to say that working with Larry Kasdan and Bill hurt in both body heat and actual tourists was it's very special to come back to work when the team you've worked with before and there's out of my kill you you you you you don't have to go through all the getting to know each other each other's rhythm with each other's you know responses you can't just start from so far ahead and go go so deep yeah for sure now you mentioned Michael and Danny then was there ever a plan for a third film because he's did the no I don't think so no that's beyond but you also take check ting as well I say yes I did what's what's one of the most things what's the one bit of advice he always give you performers when you're teaching well first of all I teach are only juniors and seniors I have to have well put it enough time and passion into the work that they have a sense of commitment to it huh yeah and the my last instruction is always the same and that is to be brave to take risks you get nowhere and you learn nothing if you fail fine you fail that one time but if you don't try if you don't risk to the point of failure you will never know what you can do ya know definitely so on top of that when you approach by the producers of friends to play Chandler's dad like don't oh I love that like I'd be I even watched a video like even just before you were announced I was watching friends and you were so popped up when he wanted to tell you about the wedding they and I was laughing my ass off it's such a good performance the Chandler's like their and Monty currently yeah so when they did you what was your first response I was doing a play I was doing a one-woman show Tallulah yeah up in San Francisco and one of the creators of friends came up to the show and so afterwards he asked if I would consider playing Chandler's father yeah and I thought you know a woman playing a man playing a woman no I haven't done that so it seemed like price yeah I'll be fine so but then the funny thing was that my dresser was gay and love to go to the drag Club so so I said alright you got to take me to something you know I got to figure out what this going on and they may be having some of the performance were stutters I mean they were gorgeous on their lip-sync beautifully and whatever but the humor was very biting yeah very angry really so when I came to do the first read-through for friends I thought you know I that's how I did it and all the producers went off into the corner and huddled and then came back and one came out and said oh it's wonderful you know it's great I mean you're just oh oh honey well yeah I think but but could you could you just make him nice oh that's right I'm on TV wonderful now just to wrap up because I know you've got some things to do before the end of the day Who Framed Roger Rabbit is such an incredible film it was ahead of its time with everything and you did do well I don't think it will ever be made again yeah I mean that technique exactly and Jessica Rabbit you were the voice mm-hmm but you remained uncredited welfare yes I never intended that because any controversy of any kind the truth was that because of my stature in the industry I would have had equal or first billing to to to Charles and to Bob you know but they I had done nothing as much work as they had I mean the work yet Bob and Charles put in the months of work I I hadn't I hadn't put in so it didn't seem fair to me that I would have to have first billing yeah when I didn't do nearly the work they did so it seemed right to me since the only other option was not to take billing was to do that and and give it to them because to my mind they did the work well that's incredibly generous of you because not all actors look well I think it was the right thing to do definitely yeah yeah well I appreciate you taking the time and thank you very much thank you thank you write for me udacity capstone project ideas Frank G. Zarb School of Business at Hofstra University.