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Capstone workshop times order write for me capstone real estate services brownsville tx essays on economic issues today our goal at the Boston University photo journalism program is to produce the kinds of students who can do something I call hitting the ground running I was a director of photography at the Boston Globe for a number of years and I was always looking for the kind of young photographer whether students or otherwise who would come in and be able to be handed an assignment and go out and do it the emphasis is on producing you know brilliant thinkers a good close journalist has to know much more than how to shoot pictures they have to understand how to shoot a situation and get out of there quickly efficiently and get the picture to the publication in time for deadlines I want our students to be fully prepared to have all the skills that they need in order to be competitive in what is a very competitive marketplace so in this case this is more of an introductory package he was saying okay this is the kind of thing I'd shoot this is who I am fine I think one of the great advantages we have is that we have people who are professional photographers and editors and have been for a long time these people talk about I went out I did this this is how I screwed up people learn from that they take away real object lessons in life and in photography so that they can really improve when they come out of this program they really have something to give back now this is nice you know I like the interaction here and it's a nice moment you need to use your personality to get access access is everything clear yeah I'm actually doing our story and doing another story on this guy's nephew so it sometimes the way to gain an entree into what they're doing so now you make a supreme chicken for instance hey we a beauty of photography is that it freezes a moment in time and people can reflect on it they can be angry about it they can be driven action by it so as long as you will elicit some response some emotion a lot of times I translates into a call for action it's not just a matter of hustle or learning how to use a camera it's learning how to come up with ideas to research so if you go to it if you don't do your research if you don't read the papers you need you go to some checkpoint someone ask you some questions you can get your head blown off it's just not all shoot and scoot when I arrived at a difficult situation if it's a war in this you know shooting and stuff going on if I feel a good vibe about my safety I'll start shooting because unlike reporting with photographer you have to get it as it happens you can't make a phone call and and catch up on the situation it's just an amazing journey that you get as a as a journalist tears and laughter and everything everything in between okay so you have until two-thirty to bring back a story on the north end okay now you can decide how you want approach it this is totally up to you if you're a young photographer and you can't find a story in Boston then you're not looking very hard once you step out of your dorm you're on a city street you're mixing with not just students but regular people from our standpoint it gives students pretty much unparalleled opportunities to be able to photograph real-world situation living in Boston going to be you I can't imagine a more perfect combination I remember my first week starting here I was really impressed at how much I already knew about what everything that I had to do is just a matter of adjusting to how the Red Sox did it I knew how to deal with deadlines situations turning product around quickly everything that I've been asked to do here I have already done in some way shape or form at BU a warning for National Geographic is absolutely unique I think as a photojournalist because there is no other magazine that would allow you to conceive of a project run the project and see it through the editing process from beginning to end I started my career because I had no focus I stumbled across journalism when I was at boston university discovered that it was pretty good photographer and it allowed me to discover a new subject every day and really become consumed by it and then move on to another subject and start the process all over again and i particularly was drawn to doing magazine assignments where I was doing multiple images for a story instead of just one and I think right then I realized that my passion was for a series of images rather than the still I think in part because the great single images are made by photographers who have amazing what we call street muscles lightning reflexes this ability to be able to respond in a millisecond and I don't work that way I never been have been able to to me a story is all about the glue moving from one picture to another I'm always thinking about the story and seeing what's the next piece and how do you add to it the whole notion of being a photojournalist now has changed traditionally visual journalists have been limited by the printed page now we're looking at a whole new hero we're looking at multimedia productions all put together in interesting packages that will be that much more powerful we don't want to be following trends we want to be setting trends we have a multimedia course going on right now being taught by brian storm' of media storm lose one of the leaders of the industry you guys are up against it really there's only attention span they're not programming around a commercial slot this is you know for internet publishing so it's an attention span so there is a huge hungry marketplace out there for the kinds of things that our students are trained and educated to produce and I think that's the most exciting aspect of photojournalism now in a great time to be entering this profession I like the fact that there is the hardcore side of it because it keeps it more underground stair going so commercial and so watered down like everything these days no no so even repeat on water down little bit to one because there are those are for guys because they're out of stuff again because it's like you know public property is getting destroyed it still keeps those Joe Schmo people like hating on it and that kind of gives it more of our attitude because it's not really there to please everybody teaching here is all about the gratification of seeing students really succeed in a business that I love and then I spent my life doing I can think of individual students in my first year here where they listened and they learned and everything we said in class was reflected in what they did and by the time they left they were doing professional quality work they're getting jobs they're winning awards and I couldn't be prouder of them and I get a tremendous thrill out of seeing these students realize their dream and meet so many different people and it's just um age is just like a nice experience it's like feels much more real world on the rest of college you know when you surround yourself with other photographers you sort of get that little bit of competitive edge you're in a tight group of other like-minded individuals who kind of motivate you I think that's the one one of the biggest advantages of coming through a program like this it's pretty good because usually winning up to people and you just explain their from Boston University and on your student you're doing this for class they're like oh that's great that's great you know can I have a picture you don't leave these classrooms without knowing what the law of photography is what rights are what other people's rights are and what ethics will revolve around them and you get a real sense of fair play of how to be objective how to approach a story so whether it's as simple as reporting your own life or going on to become a world-famous photojournalist we give you the basis by which to do that you capstone turbine annual meeting order Globe Institute of Technology, Manhattan.