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Capstone paper mill north charleston sc order

Capstone paper mill north charleston sc order kapstone paper and packaging corporation longview wa for money high point college essay writing ´╗┐people are universally fascinated by melting glass glass you literally can make any with it lass has this luminosity and a depth of color you cannot get in anything else no two pieces of glass are ever alike glass is an expression it's an extension of everything I do in my life because it's color and the first time I discovered that I could control what that color was I never looked back gas had just been found in eastern Indiana and there were a lot of gas wells and so people were moving in here in the 1880s to try to take advantage of that it takes a lot of fuel to make laughs free natural gas or very cheap natural gas very much attracted a lot of industry to east central Indiana it seemed like the opportunity of a lifetime companies were sold on the fact that the gas was going to last forever by the early nineteen hundred's it had run out major cities in those Kensie Anderson Muncie Kokomo who largely exists today because of the glass industry that sprang up because of the natural gas there's no glass name in Indiana that says glass especially to folks outside of Indiana more than the ball of name this is a ball perfect Mason most common ball jar you're gonna find this sand that was used to make this jar came from a dune in northern Indiana the Indiana Dunes the ball family originally decided to build a branch factory in Indiana their mother very early on suggested that they find something to do that they could all do together they were from Buffalo New York civic leader James voice offered land money and free fuel for them to come to my seat by the time the gas ran out they were the largest manufacturers of fruit jars in the world we have ball Hospital and we have Ball State University but they did so much more than that this community would look very different if the balls hadn't been here and the fact that they still have very much have a presence here this place is actually the the oldest continuous operation facility in the United States we produce in total around 4 million glass containers every 24 hours this is one hundred twenty six year old plant that began here in just a very very small community they actually brought flatbed railroad cars full of employees up from Kentucky and Arkansas they had children the children worked here and grandchildren and it's just continued this is a one big family now and there's a lot of pride in that when I go to the grocery store the first thing I do if I'm buying spaghetti sauce I'm going to turn that jar around to make sure that I made that jar before it goes in my grocery cart we never closed we never shut down we run 24/7 and it has never stopped it's continuously produced glass containers for 126 years we are America's oldest manufacturer of machine rolled art glass we fill request by studios and architects all over the world who want to use Kokomo glass Kokomo lessons first major customer was Louie Tiffany in New York a lot of Tiffany's early glass work was a blessing glass of making Kokomo well soon do you have a call on line 6 Disney's needed some more samples you know it's exciting it's exciting when when somebody like Disney calls in want samples I use Kokomo opalescent glass to make the items like windows and lamps and Sun catchers Kokomo opalescent can make one color all day long and the streaks and the striations are always going to come out just a little bit different when I look at a sheet of glass I see the batch man who mixed all those chemicals together I see him shoveling those chemicals into the furnace for cooking I see the three ladle errs who labeled that glass to the mixing table I see the table man who blended those colors together see the two men at the end of the Lear who trim off the rough rolled edges I see somebody hold that finished sheet up I see that with every sheet of glass that goes out this door glass has always been part of the culture that I grew up in whether it was molding it or producing it when we would take family vacations I would drag my family through the glass factory that might be near and I really fell in love with the scale of a flame working most of the glass in Indiana was of a functional form we've seen that glass has become more of an accepted art form and I like the solitude of being able to just go out and play in my own studio glass itself is a very sensual material because it interacts so wonderfully with light it's like taffy in what it can do it's infinitely moldable it has so much potential to be and become your vision Karry is a third-generation glass artist and his son who's a pharmacist by day also is a glass blower with Kari on the weekends so there's a fourth generation of zimmerman's the thing that I enjoy the most is the tradition of it and you know and since my grandfather my great gun for my dad we're all did it we just grew up around it some of the tools that we use obviously are the same ones that my father and my grandfather used first of all he loves it like his dad did I do see a lot of the same habits and ways of doing things that his dad did of course avec was because he worked with an and marched him all the time you know it's all I ever wanted to be was a glass blower we were kids you know when we would start a campfire something we'd always grab sticks and act like they were rods you know and put them in the fire and pretending that we had glass on them so making glass is actually very athletic it's not easy work you have to be tough and you have to be strong Kerry in 1983 was the n-c-double-a decathlon's tamp the integrate athlete transfers into being able to make a really nice piece of glass I remember my dad picking me up you know probably kindergarten or first grade after school watching MIT glass him and my uncle and then you know and if I was good on Fridays I always got to make a paper wave I think that's all he's ever wanted to be was a glass blower and he's really good at it he actually made his first one when he was six years old it's just such a wonderful thing to be part of it you know wonderful feelings to be part of a glassmaking family I really have enjoyed it all through the years in high school my junior year I needed to drop advanced physics and the only class that was open with stained glass so I took it and I fell in love with glass I absolutely fell in love with it Bloomington is a fabulous city it's so rich in the arts but it's totally lacking in hot glass so I decided to start a studio this is the Bloomington creative glass center sixth annual great glass pumpkin patch we do the pumpkin patch partially because it's a proven fundraiser the other reason is we're trying to get people excited about Glass Arts so we have had over 40 volunteers be involved in making the pumpkins we have people who stuck with us and now we're making their own glass heart as well I love seeing the excitement in people's eyes when they try something that they never thought they could do that moment when people discover they can actually do it they can make glass there is a spark that happens it's just amazing and people feel empowered there is really a heritage of class in Indiana the ideas have changed a little bit the philosophy has changed a little bit but the tools are made the same I considered moving other places but I thought no the glass is here we might as well stay it is part of what made this state and we can claim you capstone wireless remote Graduate School of Journalism.

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