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Capstone classroom engage literacy order capstone capital asset management for money reliable sources for research essays Suffolk University Spanish professor and author yani Moreno recently published a groundbreaking book theater of the borderland conflict violence and healing the book discusses playwrights tackling issues related at the us-mexico border Temple Street reporter Jeanette OTL sat down with Professor Moreno to learn how young Mexican playwrights are becoming the new voice of the borderland thanks guys oh la profesora madonna and thank you for joining us today on tubman street first off I want to congratulate you on your publication of your book theatre of the borderland conflict violence and healing so tell us what is theater of the borderline it's a book where I talk about the new theater currents that dramatis from northern Mexico are writing about they're talking about the border and it's 30 I'm analyzing about 30 plays by these playwrights of northern Mexico so I am talking about the new current the new aesthetic that they're using to write this place but at the same time I've been able to weave in and talk about the history the social political turmoil that the area is going through as well in the history so how did you first become interested in the issues in the us-mexico border was there a particular event or a trip that you took that made you want to write this book yes I was in Mexico in the 1990s and I went I was in Mexico City and i met this famous playwright and we were invited to his house he was the best player at the time Emilio gotta buy ido and then at his house i met another playwright who was unsettled who is now currently one of the most famous most prestigious he's been awarded all kinds of dramaturgy awards so i met who was also at his house and then he told me about these place had been writing and he started to tell me about the border and he sent me a copy of his play that had been just awarded best manish play of the year and I just began to read it and I just was I don't know I was fixed in this I was just I felt like I'd been transported to this area and I was on the US and Mexico border you mentioned who goes I said oh and i know that you partner with him here on campus to translate one of his his dramatic readings it's called we women and we women touches upon the topics of violence discrimination and oppression against women how do you think that these playwrights portray these these tough issues in in place what they try to do is they try to show the very crude reality they're really not going to mince words they're just going to show you what is happening that what they do is they try to show scenes that sometimes might be shocking and then other scenes that might show a little bit of redemption so like they present the problems but at the same time somehow in the reading readings they're trying to bring in the readers to try to come up with hopefully come you know possible conclusions possible solutions to the problems you said in the book that these playwrights can be seen as forming a new and original voice and a new aesthetic of representation can you explain what you mean by that yes because they are as I said well I said new dramatic voice because the message is that they're sending its you can hear them over and over again as you read their place so they're very similar voices talking about the border some of the problems that are taking place at the border some of the causes of these problems and solutions so that's you know when I'm talking about them in unison explaining talking making us want to react and make changes I know that in Mexico and Latin American countries there has been a up-and-coming epidemic that has actually been going on for a long time but it's getting a lot of attention right now missing and murdered women and it's not only happening in in Mexico and Latin American countries it's also happening on other nations and they've related these murders and these missing women to femicide could you talk a little bit about femicide and what that is femicide is a term that was created or coined in the late 70s but there's which talks about extreme violence almost hatred towards women and then this hatred is by men towards women and then you see it then in the way that women are treated and in the way sometimes women are killed because of the single fact of just being women our perception of Mexico is usually related to immigration and drug trafficking how do you think people can move on from that from from the comments that are being shown in mainstream media right now I think we have to remember that we have to go back in history a little bit and then know that in the 1940s people were invited to come to the United States because of the bracero program as guest workers so that's one of the main reasons why they arrived and that these people are coming in here because they're human beings and they need to make a better living in that Mexico and other countries that in Central America and other parts of the world are not providing enough so we have to remember that these are just human beings trying to make a living in that most of them are good people the majority are good people we also have to remember that in Mexico there's some people that are trying to find solutions if Mexico provided I think I'm better living for their inhabitants and they wouldn't have to leave but we have to remember that it is this has been happening for a long time and also that the United States is providing jobs for a lot of these people here and these are jobs that most people don't want and that need to be filled do you see theatre as a platform for healing and hope I do i do and i think that the playwright's are hoping that this will be this platform where people will start talking and then we'll try to find solutions because they know that right now mexico as it is there's in and remember for me these writers are at the forefront because they're seeing things that maybe other people haven't been able to see yet do you think that they act as a form of activism they do and I think that well some of them some of them try not to be political but I think most of them do and I think this is a way of doing that like if you read a lot of the place like the play by Russell said oh that one the tears of the Molina that we started our conversation he says at the end you know like you like the whole all the people have to rise up and complain and try to create changes so yes I think they do that by bringing the political message but also but by trying to train new playwrights new actors and I think by trying to bring people like me the critics to talk about their place so that I can maybe get other people interested in what they're doing and in the plight of the people of the borderlands so I think theater of the borderlands does a really great job at putting into light issues that are often associated with with Mexico and just talking about the issues that aren't talked about when discussing the us-mexico border so thank you so much for joining me and talking about these issues with me thank you so much for inviting me yeah what's been wonderful to be here thank you back to you guys you can find professor Moreno's book at Suffolk University soil library or purchase a copy at theatre of the borderland calm research topics for capstone projects cheap CUNY School of Law.